Saturday, July 5, 2014

Jerry and Tom (1998)

I can't deny that my husband has excellent taste in movies. He discovered this little gem for me on Netflix and there are many more that I still have to either watch or write about. I'm going as fast as I can, honey! Jerry and Tom is based the one act play by Rick Cleveland, who also wrote the screenplay. Directed by Saul Rubinek, Jerry and Tom features stunning continuous shots and seamless transitions between scenes.

The Premise

Tom is a pro in the hit man business. Jerry is not. By day they work for their boss at a second-hand car dealership and by night they work as hired guns. As Jerry learns the business, his style and personality begins to clash with that of his older friend's.

My Take

Tom is cool and collected and not easily shaken. Jerry is young and impetuous but eager to learn the role of a hit man. As Jerry learns the ropes, his brash actions could get the duo into trouble with their bosses, Billy and Vic. Mistakes are made, but the final solution will wipe the slate clean.

Joe Mantegna is a very calm and teacher-like Tom. He is "too old for this" and ready to teach Jerry how to do a clean and effective hit. Sam Rockwell plays Jerry and shows us the transition of a nervous young man to an unbalanced, trigger happy hit man. Both men played their parts well. While being near opposites, they were believable as best friends and partners.

Jerry and Tom is like a buddy hit man movie. It starts off with the two men together on a job and transitions back in time to ten years prior when they started working together. The movie moves forward, taking you one job (and one cameo) at a time. They duo moves ahead through their lives as well. Jerry gets married and has a baby. Tom's kid becomes a teenager. But what is most appealing to me about this movie is the way in which it was filmed and put together. The scene changes (forgive me, for I come from a theater rich background) are flawlessly seamless.

The characters can be talking during the summer in a parking lot in one scene and then the camera will pan over to the car lot and it will be snowing outside in the next scene. A woman will be cleaning her gun with plastic sheeting blowing all around her in one scene and the camera will pan over and the movie will continue in a completely different location. My favorite transition had to do with blood, a sock, makeup and a toolbox.

Saul Rubinek also filmed many long continuous shots. I like these kind of shots because it doesn't break up the action. You get a picture of the whole scene and not just bits and pieces. With a script like this, that relies so heavily on dialogue, there is no need to cut back and forth and back and forth. He still managed to make it interesting, though. Mantegna and Rockwell were in constant motion in a lot of their scenes so the camera had a lot to focus on without cutting between actors.

Jerry and Tom may have been led by Joe Mantegna and Sam Rockwell, but a show is not a show without its supporting cast. Playing the mob bosses were Maury Chaykin and Charles Durning. Also making special appearances were William H. Macy, Ted Danson, Peter Riegert, Shelley Cook and Sarah Polley.

The Verdict

Jerry and Tom is a must see for any film buff or photography enthusiast because of the way it was filmed. The only down side, for me, was the way it was written. I know that it was based on a play, but it still read like a stage play to me. I love my theater, I just want it to stay on the stage. All in all I still love it. I give Jerry and Tom 5/7 hits.

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